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the field guide · part III, love & its counterfeits

you’re in love with their potential

what does it mean to be in love with someone’s potential?

It means you are attached to a version of them that does not exist yet, and staying loyal to that version while excusing the real one. Seeing the best in somebody is generous. Inventing a person and then dating them is a different thing. The tell is that your case for the relationship is always in the future tense, and every disappointment quietly gets filed as temporary.

the long version is below.

You’re not in love with them. You’re in love with who they’d be if they just changed a little. The version in your head. The one who texts back, who’s ready, who’s over the ex, who wants the same future you do. You’ve been dating the potential for months now, quietly, and waiting for the real one to catch up to him.

This is one of the gentlest counterfeits, because it doesn’t feel like a warning at all. It feels like faith. Like loyalty. Like seeing the best in someone. And sometimes it is exactly that. But there’s a line where believing in a person turns into loving a person who isn’t there, and standing on the wrong side of that line will cost you years.

loving their potential, defined: being in love with who someone could become, not who they are. you stay loyal to the future version in your head and keep excusing the real one.
loving their potential. being in love with who someone could become, not who they are. you stay loyal to the future version in your head and keep excusing the real one.

you fell for a draft

The tell is the explaining. You catch yourself narrating them to your friends in the future tense. “He’s not usually like this.” “She’ll come around once things settle.” “When he sorts the job out, he’ll finally be…” You have a whole finished version of this person assembled in your head, and you are loyal to HIM. Not to the unfinished one actually in front of you.

dating a draft, defined: loving the edited, finished version of someone that only exists in your head. the real person keeps disappointing the draft, and you blame them for the gap.
dating a draft. loving the edited, finished version of someone that only exists in your head. the real person keeps disappointing the draft, and you blame them for the gap.

That’s not love. That’s a renovation project. And the quiet cruelty of it is that the real person can feel it. They can feel you being a little disappointed in who they are today, measured against a blueprint they never agreed to and can’t see. You think you’re being patient. From the inside of the relationship, it can feel like never being enough.

the renovation trap, defined: treating a partner like a fixer-upper you’ll improve. people aren’t projects. if your love depends on them changing, you love the blueprint, not them.
the renovation trap. treating a partner like a fixer-upper you’ll improve. people aren’t projects. if your love depends on them changing, you love the blueprint, not them.

People are not fixer-uppers. If your love is contingent on them becoming someone, then what you love is the someone, and they’re just the raw material you’re hoping it’s made of.


this is an old trick, and it has a name

You did not invent this, which should make it easier to forgive yourself for. Back in 1822, the French writer Stendhal gave it the best name it’s ever had: crystallization.

crystallization, defined: stendhal’s 1822 word for how the mind coats someone you love in imagined perfections, like a bare branch left in a salt mine. they didn’t change. your mind decorated them.
crystallization. stendhal’s 1822 word for how the mind coats someone you love in imagined perfections, like a bare branch left in a salt mine. they didn’t change. your mind decorated them.

He had a metaphor for it. If you leave a bare winter branch in the depths of a salt mine and come back a few months later, it’s covered in glittering crystals, transformed, dazzling. But the branch didn’t change. The salt did that. And Stendhal said this is exactly what the mind does to a person you’re falling for. It coats them, slowly and without your permission, in imagined perfections. You look at an ordinary person and see something radiant, and you assume the radiance is coming from them. A lot of the time it’s coming from you. You’re not seeing them. You’re seeing the crystals.


the honest nuance

Now I won’t lie to you and say idealizing someone is always the problem, because the research says the opposite, and I’d rather be accurate than tidy.

In 1996, the psychologist Sandra Murray found that partners who see each other in an idealized, generous light actually do BETTER. Their relationships were more satisfying and lasted longer, and in some cases the partner even grew into the flattering picture. She called it love that’s “not blind, but prescient.” So seeing the best in someone is not the failure mode. It can be one of the kindest things love does.

positive illusions, defined: seeing a partner more generously than they see themselves. grounded in who they really are, it helps love last. untethered from reality, it’s just projection.
positive illusions. seeing a partner more generously than they see themselves. grounded in who they really are, it helps love last. untethered from reality, it’s just projection.

But there’s a line, and it’s the whole thing. Murray’s couples were idealizing a REAL person. They took someone’s actual qualities and read them in the most generous possible light. That’s grounded. What breaks people is the other version: inventing qualities that aren’t there at all, ignoring who the person actually is, and then getting quietly angry at the real one for failing to be the invention. One loves who they are, generously. The other loves who they’re not yet, and resents them for the gap.

If you’ve read the limerence chapter, this will sound familiar, and it should.

runs on the same projection, just turned all the way up: the obsessive, involuntary, high-voltage version, where the idealized image completely eclipses the real human. Loving someone’s potential is the quieter everyday cousin of the same mistake. Same mechanism. Lower volume. Which is exactly why it’s harder to catch.


why I think I catch this faster

I think being asexual makes this one easier for me to see, because I never had the haze around it. When I find someone beautiful, it’s a lot like finding a painting beautiful. I notice it, I appreciate it, and then I keep walking. The appreciation doesn’t come bundled with a fantasy about who they are on the inside. I don’t invent a soul to match the face.

So I’ve spent years watching friends do the opposite. Watching someone build an entire imagined personality onto a jawline, fall in love with the personality, and then grieve when the actual person eventually showed up and refused to match. The projection is easiest exactly when the wanting is loudest. The pull fills in every blank with something flattering. Turn the wanting down, even a little, and you can finally see who’s actually standing there.


If you want to go deeper, Stendhal’s On Love is where the whole idea starts, two centuries before the psychology caught up. Murray’s study on positive illusions is the grown-up, honest take on when idealizing helps and when it wrecks you. And the limerence chapter is the louder version of this exact trap, worth reading right after.

So look at them again. Not the future one. The one who exists today, on a completely ordinary day, being exactly who they are right now, with no renovations. If you love THAT person, you’re in love, and you can stop waiting. If you love the draft, then you’re in love with something you wrote, and a draft can’t love you back. It was never really them you were reaching for. Let the real one either be enough, or not, but let them be real.

the research

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